Pocoyo (Pocoyó in Spanish) is a Spanish pre-school animated television series created by Guillermo García Carsí, Luis Gallego and David Cantolla, and is a co-production between Spanish producer Zinkia Entertainment, Cosgrove-Hall Films and Granada International.
Two series have been produced, each consisting of 52 seven-minute episodes. English actor and comedian Stephen Fry narrates the English-language version and José María del Río narrates the Castilian Spanish version of the first two seasons, while Stephen Hughes narrates the third season, called Let’s Go Pocoyo.
Set in a 3D space, with a plain white background and usually no backdrops, it is about Pocoyo, a 4-year-old boy, interacting with his friends Pato (a duck), Elly (an elephant) and Loula (a dog).
“IOTD” is image of the day, a concept I came up with. I teach visual meditative therapy – or in easy terms – a mini mental holiday. For some people it is very difficult for them to get their image right. I post an image a day for people to use in their mini mental vacay. Some are serious, some are silly, and some are just beautiful!”
Polina Semionova (born 13 September 1984) is a Russian ballet dancer who is currently a principal dancer with the American Ballet Theatre. She also has an older brother, Dmitry Semionov, who is now a principal in the Staatsballett Berlin.
Studying at the Bolshoi Ballet School in Moscow, Russia, she won awards in the top ballet competitions; including a gold medal at the Moscow International Ballet Competition 2001, First Prize at the Vaganova-Prix Ballet Competition in St Petersburg 2002, and Junior Prize at the Nagoya (Japan) International Ballet Competition 2002.
Graduating in 2002, Semionova joined the Ballet Staatsoper Berlin as a principal upon the invitation of Vladimir Malakhov, becoming the youngest principal in the company’s history at the age of 18. She toured Japan as Malakhov’s partner, the reason he had invited her to be a principal in the company. He gave her the lead roles in The Nutcracker and La Bayadère during her first season, following with the role of Tatiana in , which became her favorite role.
In 2003, at the age of 19, Semionova performed with the English National Ballet in Swan Lake, receiving approving reviews from English critics.
The following year she joined the California Ballet in their production of The Sleeping Beauty, again impressing critics despite what they termed a disappointing overall ballet.
Full Moon names date back to Native Americans, of what is now the northern and eastern United States. The tribes kept track of the seasons by giving distinctive names to each recurring full Moon. Their names were applied to the entire month in which each occurred. There was some variation in the Moon names, but in general, the same ones were current throughout the Algonquin tribes from New England to Lake Superior. European settlers followed that custom and created some of their own names. Since the lunar month is only 29 days long on the average, the full Moon dates shift from year to year.
Here is the Farmers Almanac’s list of the full Moon names.
This was the time to set beaver traps before the swamps froze, to ensure a supply of warm winter furs. Another interpretation suggests that the name Full Beaver Moon comes from the fact that the beavers are now actively preparing for winter.
It is sometimes also referred to as the Frosty Moon.
The early Native Americans did not record time by using the months of the Julian or Gregorian calendar. Many tribes kept track of time by observing the seasons and lunar months, although there was much variability.
For some tribes, the year contained 4 seasons and started at a certain season, such as spring or fall. Others counted 5 seasons to a year. Some tribes defined a year as 12 Moons, while others assigned it 13. Certain tribes that used the lunar calendar added an extra Moon every few years, to keep it in sync with the seasons.
Colonial Americans adopted some of the Native American full Moon names and applied them to their own calendar system (primarily Julian, and later, Gregorian). Since the Gregorian calendar is the system that many in North America use today, that is how we have presented the list of Moon names, as a frame of reference. The Native American names have been listed by the month in the Gregorian calendar to which they are most closely associated.
The 17-year-old daughter of Steve Irwin says show has ‘changed her life’ as she is announced winner of the US reality show with partner Derek Hough. They triumphed in the final of the reality TV show on Tuesday night, November 25, 2015. Clem Bastow
The pair got a perfect score of 30 for their final dance routine and brought audience members to tears.
“Thank you so much for everything.
I can’t believe I’m here.
Thank you for changing my life,” Irwin said.
Irwin, who like her her father Steve Irwin works as a conservationist and a TV presenter, has been impressing audiences with her dancing flair during the past three months.
Steve Irwin died in 2006 after a stingray stuck its barb into his heart, and his daughter’s final Dancing with the Stars performance on Monday, November 23, 2015, was dedicated to him.
First she and Hough danced quickstep to Dr. Bones, by Cherry Poppin’ Daddies, and then moved to a freestyle dance to Footprints in the Sand, by Leona Lewis.
In a video intro to the dance, Hough said: “It reminds me of where you’re from and your dad always being there no matter what.”
Irwin said: “I’ve tried to just remember his strength, knowing that Dad is kind of still with me.”
Dance to the music
under the stars at night.
Dance to the music
of all time lullabies.
Dance to the music
of your own beat and rhythm.
Dance to the music
that your own heart has chosen.
The Tenors Become Vampires for ‘Who Wants To Live Forever’ Video With Lindsey Stirling
The Tenors released the new music video for “Who Wants to Live Forever” on October 28, 2015, exclusively via Billoard.com. The video – which features Lindsey Stirling – dropped just in time for Halloween.
“Who Wants to Live Forever” is featured on The Tenors’ most recent release Under One Sky.
~LYRICS~
(Instrumental Intro featuring Lindsey Stirling)
(Fraser)
There’s no time for us.
There’s no place for us.
What is this thing that builds our dreams, yet slips away from us?
(Remi)
Who wants to live forever?
Who wants to live forever? Oh,
(Clifton)
There’s no chance for us.
It’s all decided for us.
This world has only one sweet moment set aside for us.
(Victor)
Who wants to live forever?
Who dares to love forever?
Oooh, Ahh,
(Clifton)
Who dares to live forever? Woah,
When love must die.
(Instrumental break featuring Lindsey Stirling)
(Fraser/Remi)
But touch my tears with your lips
Touch my world with your fingertips
(All)
And we can have forever,
And we can love forever.
(Victor)
Forever is our today.
(All)
Who wants to live forever?
Who wants to live forever?
Forever is ours,
(Fraser)
Who wants forever anyway?
(Instrumental close featuring Lindsey Stirling)
~~GRAPHICS SOURCE~~
Google Images
The Tenors (formerly known as The Canadian Tenors) are a vocal quartet consisting of Remigio Pereira, Victor Micallef, Fraser Walters and Clifton Murray. They perform operatic pop music that is a mixture of classical and pop, featuring songs such as “The Prayer” and Panis Angelicus from the former genre, and Leonard Cohen’s Hallelujah from the latter.
Originating from Canada, Pereira from Ottawa/Gatineau, Micallef from Toronto, Walters from Vancouver and Murray from Port McNeil, the Tenors have performed on more than 60 international television programs. They appeared on The Oprah Winfrey Show with Celine Dion in 2010, at the 63rd Primetime Emmy Awards, at the opening ceremonies of 2010 Winter Olympics in Vancouver and on ITV (TV network) Diamond Jubilee Show at Windsor Castle for HM Queen Elizabeth II. The venues they have performed in include the Tel Aviv Opera House, and the Mandalay Bay Events Center in Las Vegas. They also appeared on the 2009 Grey Cupbroadcast and on CBC Television’s Holiday Festival of Ice.
They have shared the stage with Sarah McLachlan, Neil Young, Paul Anka, Justin Bieber, Paul McCartney, Brian McKnight, David Foster and Natalie Cole.
Who doesn’t love a good vampire scene set in a haunted castle?
In The Tenors’ video for their cover of Queen’s “Who Wants To Live Forever,” from their latest album Under One Sky, the quartet are vampires lamenting their immortality. The clip also features violinist Lindsey Stirling who contributed to the song.
Directed by Matěj Pichler, the video was shot in a historic castle in Prague, which locals have rumored is haunted by a previous family who inhabited the space 300 years ago.
“IOTD” is image of the day, a concept I came up with. I teach visual meditative therapy – or in easy terms – a mini mental holiday. For some people it is very difficult for them to get their image right. I post an image a day for people to use in their mini mental vacay. Some are serious, some are silly, and some are just beautiful!”’
‘That what I want, basically, what I really want, is what you want. And I don’t know what you want. Surprise me’.
But that’s the kinship between “I” and “thou”. So when I ask, I go right down to the question, which we started with: “What do I want?”
The answer is “I don’t know”.
When Bodhidharma was asked, “Who are you?” which is another form of the same question, he said “I don’t know”. Planting flowers to which the butterflies come, Bodhidharma says “I know not”. I don’t know what I want.
And when you don’t know what you want, you reach the state of desirelessness. When you “really” don’t know … you see, there’s a beginning stage of not knowing, and there’s an ending stage of not knowing.
In the beginning stage, you don’t know what you want because you haven’t thought about it, or you’ve only thought superficially.
Then when somebody forces you to think about it and go through it, you say, “Yeah, I think I’d like this, I think I’d like that, I think I’d like the other”. That’s the middle stage.
Then you get beyond that, and say “Is that what I really want?” In the end you say, “No, I don’t think that’s it … I might be satisfied with it for a while, and I wouldn’t turn my nose up at it, but it’s not really what I want”.
Why don’t you really know what you want? Two reasons, that you don’t really know what you want.
Number one: You have it.
Number two: You don’t know yourself.
Because you never can. The godhead is never the object of its own knowledge, just as a knife doesn’t cut itself, fire doesn’t burn itself, life doesn’t illumine itself. It’s always an endless mystery to itself. “I don’t know”.
And this “I don’t know”, uttered in the infinite interior of the spirit, this “I don’t know”, is the same thing as “I love”, “I let go”, “I don’t try to force or control”. It’s the same thing as humility.
And so the Upanishads say, “If you think that you understand Brahman, you do not understand. You have yet to be instructed further. If you know that you do not understand, then you truly understand, for the Brahman is unknown to those who know it, and known to those who know it not’.
And the principle is that any time you, as it were, voluntarily let up control, in other words, cease to cling to yourself, you have an access to power. Because you’re wasting energy all the time in self-defense, trying to manage things, trying to force things to conform to your will.
The moment you stop doing that, that wasted energy is available. And therefore you are, in that sense, having that energy available, you are one with the divine principle. You have the energy! When you’re trying, however, to act as if you are god, that is to say, you don’t trust anybody and you’re the dictator and you have to keep everybody in line, you lose the divine energy, because what you’re doing is simply defending yourself.
So then the principle is: the more you give it away, the more it comes back. Now you say, ‘I don’t have the courage to give it away. I’m afraid’.
And you can only overcome that by realizing, you better give it away, because there’s no way of holding on to it. The meaning of the fact that everything is dissolving constantly, that we’re all falling apart, we’re all in the process of constant death, and that – ‘The Worldly Hope men set their Hearts upon/Turns Ashes – or it prospers; and/Like Snow upon the Desert’s dusty Face/Lighting a little Hour or two – is gone all that Omar Khayyam jazz.
You know, ‘The cloud-capped towers, the gorgeous palaces, the great globe itself, I, all which it inherit — shall dissolve, and like this insubstantial pageant faded, Leave not a rack behind.’ …
All falling apart. Everything is. That’s the great assistance to you. That fact that everything is in decay is your helper. That is allowing you that you don’t have to let go, because there’s nothing to hold on to.
It’s achieved for you, in other words, by the process of nature. So once you see that you just don’t have a prayer, and it’s all washed up, and that you will vanish and “leave not a rack behind”, and you really get with that, suddenly you find that you have the power, this enormous access of energy.
But it’s not power that came to you because you grabbed it; it came in entirely the opposite way. The power that comes to you in that opposite way is power with which you can be trusted.’
It Is What It Is 