The term ‘420’ began its sub-rosa linguistic career in 1971 as a bit of slang casually used by a group of high school kids (known as “Waldos”) at San Rafael High School in California.
The term ‘420’ (always pronounced “four-twenty,” never “four hundred and twenty”) came to be an accepted part of the argot within that group of about a dozen pot smokers, beginning as a reminder of the time they planned to meet to light up, 4:20 p.m.
But on Thursday night, August 25, the music icon took a step toward healing a divided nation by doing some bi-partisan crooning with a most unlikely partner:
Donald Trump.
Okay, fine, it was just Tonight Show host Jimmy Fallon doing his best impression of the Republican presidential candidate, but Babs was up for the joke, gamely singing a revised version of the standard
Polina Semionova (born 13 September 1984) is a Russian ballet dancer who is currently a principal dancer with the American Ballet Theatre. She also has an older brother, Dmitry Semionov, who is now a principal in the Staatsballett Berlin.
Studying at the Bolshoi Ballet School in Moscow, Russia, she won awards in the top ballet competitions; including a gold medal at the Moscow International Ballet Competition 2001, First Prize at the Vaganova-Prix Ballet Competition in St Petersburg 2002, and Junior Prize at the Nagoya (Japan) International Ballet Competition 2002.
Graduating in 2002, Semionova joined the Ballet Staatsoper Berlin as a principal upon the invitation of Vladimir Malakhov, becoming the youngest principal in the company’s history at the age of 18. She toured Japan as Malakhov’s partner, the reason he had invited her to be a principal in the company. He gave her the lead roles in The Nutcracker and La Bayadère during her first season, following with the role of Tatiana in , which became her favorite role.
In 2003, at the age of 19, Semionova performed with the English National Ballet in Swan Lake, receiving approving reviews from English critics.
The following year she joined the California Ballet in their production of The Sleeping Beauty, again impressing critics despite what they termed a disappointing overall ballet.
It Is What It Is 