Princess Charlotte of Cambridge (Charlotte Elizabeth Diana – born 2 May 2015) is the younger child and only daughter of Prince William, Duke of Cambridge, and Catherine, Duchess of Cambridge. She is fourth in line to succeed her paternal great-grandmother, Queen Elizabeth II, after her paternal grandfather, father, and elder brother.
~Singin’ in the Rain scene that made Debbie Reynolds a star~
Debbie Reynolds — who died December 28 at age 84 — was 19 years-old when her life changed forever.
After cutting her teeth on cabaret performances and winning the Miss Burbank pageant in 1948, Reynolds landed the part of Kathy Selden in Singin’ in the Rain, the 1952 classic that would launch her career. She was to sing and dance opposite Donald O’Connor and Gene Kelly, lauded Hollywood mainstays with decades of performing experience, while she had almost none, and zero dancing experience to speak of.
Debbie Reynolds – who rose to stardom in “Singin’ in the Rain” and quickly became a staple among Hollywood royalty – died Wednesday, December 28, as a result of a stroke, just one day after her daughter Carrie Fisher passed away, according to her son Todd.
“IOTD” is image of the day, a concept I came up with. I teach visual meditative therapy – or in easy terms – a mini mental holiday. For some people it is very difficult for them to get their image right. I post an image a day for people to use in their mini mental vacay. Some are serious, some are silly, and some are just beautiful!”
A Facebook friend asked me today who this person was because his face was all over the social media outlets and news.
I understand that “Gabo” was most well known to those with knowledge of the literary world and all Latin Americans. Here is basic information about this incredible human being. This is a great loss to humanity. Like many others .. one would say. But this one is close to my heart!
There is so much more to this man than could be ever be written by me in this short post.
May he rest in Peace!!
Gabriel Garcia Marquez, the Nobel Prize-winning Colombian novelist whose “One Hundred Years of Solitude” enchanted millions of readers around the world and popularized the emerging Latin American literary genre known as magic realism, has died. He was 87.
Garcia Marquez died Thursday, April 17, 2014, at his home in Mexico City, Mexican media reported. A cause of death was not immediately announced, but Garcia Marquez had been in failing health for some time. He was released from the hospital just over a week ago.
The death in his home, accompanied by his wife and other members of his family, was confirmed by Rafael Tovar y de Teresa, president of the official Mexican cultural association. Tovar said he had spoken to the family.
García Márquez started as a journalist, and wrote many acclaimed non-fiction works and short stories, but is best known for his novels, such as One Hundred Years of Solitude (1967), Autumn of the Patriarch (1975) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magic realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in a fictional village called Macondo (the town mainly inspired by his birthplace Aracataca), and most of them explore the theme of solitude.
“I feel Latin American from whatever country, but I have never renounced the nostalgia of my homeland: Aracataca, to which I returned one day and discovered that between reality and nostalgia was the raw material for my work”.
-Gabriel García Márquez-
Gabriel García Márquez was born on 6 March 1927 in Aracataca, Colombia, to Gabriel Eligio García and Luisa Santiaga Márquez. Soon after García Márquez was born, his father became a pharmacist and moved, with his wife, to Barranquilla, leaving young Gabito in Aracataca. He was raised by his maternal grandparents, Doña Tranquilina Iguarán and Colonel Nicolás Ricardo Márquez Mejía. In December 1936, his father took him and his brother to Sincé, while in March 1937, his grandfather died; the family then moved first (back) to Barranquilla and then on to Sucre, where his father started up a pharmacy.
García Márquez’s political and ideological views were shaped by his grandfather’s stories. In an interview, García Márquez told his friend Plinio Apuleyo Mendoza, “my grandfather the Colonel was a Liberal. My political ideas probably came from him to begin with because, instead of telling me fairy tales when I was young, he would regale me with horrifying accounts of the last civil war that free-thinkers and anti-clerics waged against the Conservative government.”This influenced his political views and his literary technique so that “in the same way that his writing career initially took shape in conscious opposition to the Colombian literary status quo, García Márquez’s socialist and anti-imperialist views are in principled opposition to the global status quo dominated by the United States.”
García Márquez’s grandmother, Doña Tranquilina Iguarán Cotes, played an equally influential role in his upbringing. He was inspired by the way she “treated the extraordinary as something perfectly natural. “The house was filled with stories of ghosts and premonitions, omens and portents, all of which were studiously ignored by her husband. According to García Márquez she was “the source of the magical, superstitious and supernatural view of reality”. He enjoyed his grandmother’s unique way of telling stories. No matter how fantastic or improbable her statements, she always delivered them as if they were the irrefutable truth. It was a deadpan style that, some thirty years later, heavily influenced her grandson’s most popular novel, One Hundred Years of Solitude
Since García Márquez was eighteen, he had wanted to write a novel based on his grandparents’ house where he grew up. However, he struggled with finding an appropriate tone and put off the idea until one day the answer hit him while driving his family to Acapulco. He turned the car around and the family returned home so he could begin writing. He sold his car so his family would have money to live on while he wrote, but writing the novel took far longer than he expected, and he wrote every day for eighteen months. His wife had to ask for food on credit from their butcher and their baker as well as nine months of rent on credit from their landlord.
Fortunately, when the book was finally published in 1967 it became his most commercially successful novel, One Hundred Years of Solitude (Cien años de soledad) (1967; English translation by Gregory Rabassa 1970). The story chronicles several generations of the Buendía family from the time they founded the fictional South American village of Macondo, through their trials and tribulations, instances of incest, births and deaths. The history of Macondo is often generalized by critics to represent rural towns throughout Latin America or at least near García Márquez’s native Aracataca.
This novel was widely popular and led to García Márquez’s Nobel Prize as well as the Rómulo Gallegos Prize in 1972. William Kennedy has called it “the first piece of literature since the Book of Genesis that should be required reading for the entire human race,”and hundreds of articles and books of literary critique have been published in response to it. However, García Márquez himself does not completely understand the success of this particular book: “Most critics don’t realize that a novel like One Hundred Years of Solitude is a bit of a joke, full of signals to close friends; and so, with some pre-ordained right to pontificate they take on the responsibility of decoding the book and risk making terrible fools of themselves.”
Whether in fiction or nonfiction, in the epic novel or the concentrated story, Márquez is now recognized in the words of Carlos Fuentes as “the most popular and perhaps the best writer in Spanish since Cervantes“. He is one of those very rare artists who succeed in chronicling not only a nation’s life, culture and history, but also those of an entire continent, and a master storyteller who, as The New York Review of Books once said, “forces upon us at every page the wonder and extravagance of life.”
García Márquez’s work is an important part of the Latin American Boom of literature. His work has challenged critics of Colombian literature to step out of the conservative criticism that had been dominant before the success of One Hundred Years of Solitude. In a review of literary criticism Robert Sims notes,
García Márquez continues to cast a lengthy shadow in Colombia, Latin America, and the United States. Critical works on the 1982 Nobel laureate have reached industrial proportion and show no signs of abating. Moreover, García Márquez has galvanized Colombian literature in an unprecedented way by giving a tremendous impetus to Colombian literature. Indeed, he has become a touchstone for literature and criticism throughout the Americas as his work has created a certain attraction-repulsion among critics and writers while readers continue to devour new publications. No one can deny that García Márquez has helped rejuvenate, reformulate, and recontextualize literature and criticism in Colombia and the rest of Latin America.
García Márquez received the Nobel Prize in Literature on 8 December 1982 “for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent’s life and conflicts”. His acceptance speech was entitled “The Solitude of Latin America“. García Márquez was the first Colombian and fourth Latin American to win a Nobel Prize for Literature.After becoming a Nobel laureate, García Márquez stated to a correspondent: “I have the impression that in giving me the prize, they have taken into account the literature of the sub-continent and have awarded me as a way of awarding all of this literature.”